fix: fix wording

.github/workflows/main.yml

@@ -62,6 +62,7 @@ jobs:
       contents: write
       issues: write
       pull-requests: write
+      statuses: write
 
     steps:
       - name: Checkout

Dangerfile.js

@@ -97,9 +97,9 @@ if (!CONVENTIONAL_PATTERN.test(danger.github.pr.title)) {
   fail(
     `PR title \`${danger.github.pr.title}\` does not follow ` +
     '[Conventional Commits](https://www.conventionalcommits.org/) format.\n\n' +
-    'Expected: `type(scope): description` — e.g. `feat: add reverb section` ' +
-    'or `fix(tooltip): clamp position on narrow screens`.\n\n' +
-    'This is required because the PR title becomes the squash-merge commit ' +
-    'message that **semantic-release** uses to determine the version bump.',
+    'Expected: `type(scope): description`\n' +
+    'e.g. `feat: add reverb section` or `fix(tooltip): clamp on narrow screens`\n\n' +
+    'The PR title becomes the squash-merge commit message that\n' +
+    '**semantic-release** uses to determine the version bump.',
   )
 }

index.html

@@ -146,7 +146,7 @@ <h3>Snare Drum</h3>
           <div class="freq-card boost">
             <p class="freq-hz">100–200 Hz</p>
             <p class="freq-action">BOOST — body</p>
-            <p class="freq-desc">Adds <span class="tt" data-tip="The low-mid fullness and weight of a drum (100–300Hz). More body = rounder, fatter tone. Less body = thin and snappy. This is the resonance of the wooden shell.">body ?</span> and fatness to the shell. Makes the snare sound like a real wooden drum, not a tin can.</p>
+            <p class="freq-desc">Adds <span class="tt" data-tip="The low-mid fullness and weight of a drum (100–300Hz). More body = rounder, fatter tone. Less body = thin and snappy. This is the resonance of the wooden shell.">body ?</span> and fatness to the shell. Makes the snare sound like an actual wooden drum rather than a tin can.</p>
           </div>
           <div class="freq-card cut">
             <p class="freq-hz">300–500 Hz</p>
@@ -330,7 +330,7 @@ <h3>Recommended Settings Per Piece</h3>
             <div class="setting-row"><span>Threshold</span><span>−6 to −8 dB</span></div>
             <div class="setting-row"><span>Attack</span><span>30–50 ms</span></div>
             <div class="setting-row"><span>Release</span><span>100–250 ms</span></div>
-            <p class="setting-note">Glues all drums together. Should feel like one kit, not separate pieces.</p>
+            <p class="setting-note">Glues all drums together. Should feel like one cohesive kit hitting the same room.</p>
           </div>
         </div>
       </div>
@@ -712,7 +712,7 @@ <h1 class="hero-title">Mastering</h1>
         <h2 id="master-eq-heading">EQ for Mastering</h2>
         <span class="section-pill">Gentle overall shaping</span>
       </div>
-      <p class="section-intro">Mastering EQ should be subtle. If you need more than 3–4 dB of any boost or cut here, the mix has a problem that should be fixed at mix stage — not masked in mastering. Think of it as fine-tuning, not surgery.</p>
+      <p class="section-intro">Mastering EQ should be subtle. If you need more than 3–4 dB of any boost or cut here, the mix has a problem that should be fixed at mix stage — mastering can't paper over it. Think of it as fine-tuning. Targeted adjustments, kept small.</p>
 
       <div class="knob-explainer">
         <div class="knob-item"><p class="knob-name">Sub cleaning<br><small>&lt; 30 Hz</small></p><p class="knob-val">High-pass: always</p><p class="knob-desc">Even a well-mixed track has subsonic content from room noise or headphone bleed. A steep high-pass at 20–30 Hz protects <span class="tt" data-tip="The physical back-and-forth movement of a speaker cone. Excessive low frequency energy pushes woofers past their mechanical limit, causing distortion or physical damage.">woofer excursion ?</span> and reclaims loudness headroom.</p></div>
@@ -726,12 +726,12 @@ <h2 id="master-eq-heading">EQ for Mastering</h2>
     <section class="section" aria-labelledby="master-comp-heading">
       <div class="section-header">
         <h2 id="master-comp-heading">Compression for Mastering</h2>
-        <span class="section-pill">Glue, not control</span>
+        <span class="section-pill">Cohesion over control</span>
       </div>
-      <p class="section-intro">Mastering compression is used for <span class="tt" data-tip="The perceptual quality of a mix sounding cohesive — like all elements belong together in the same space and were recorded at the same time. Glue compression subtly reduces dynamic range of the full mix.">glue ?</span> and <span class="tt" data-tip="The sense that a mix has consistent energy throughout. No section dramatically louder or quieter than another. Density makes a mix feel full and controlled from start to finish.">density ?</span>, not loudness. The settings are extremely gentle compared to mix compression.</p>
+      <p class="section-intro">Mastering compression is used for <span class="tt" data-tip="The perceptual quality of a mix sounding cohesive — like all elements belong together in the same space and were recorded at the same time. Glue compression subtly reduces dynamic range of the full mix.">glue ?</span> and <span class="tt" data-tip="The sense that a mix has consistent energy throughout. No section dramatically louder or quieter than another. Density makes a mix feel full and controlled from start to finish.">density ?</span> — loudness comes later, at the limiter.</p>
 
       <div class="knob-explainer">
-        <div class="knob-item"><p class="knob-name">Ratio</p><p class="knob-val">1.5:1 – 2.5:1</p><p class="knob-desc">Extremely gentle. At this stage you are barely touching the signal. 2:1 is considered aggressive for mastering. Above 3:1 and you're mixing, not mastering.</p></div>
+        <div class="knob-item"><p class="knob-name">Ratio</p><p class="knob-val">1.5:1 – 2.5:1</p><p class="knob-desc">Extremely gentle. At this stage you are barely touching the signal. 2:1 is considered aggressive for mastering. Push past 3:1 and you've crossed back into mix territory.</p></div>
         <div class="knob-item"><p class="knob-name">Threshold</p><p class="knob-val">−6 to −12 dB</p><p class="knob-desc">Set to get 1–3 dB of <span class="tt" data-tip="The amount by which the compressor is reducing the signal, measured in dB. Shown on the GR meter. 2–3dB is typical for mastering compression. More than 6dB = overcompressing.">gain reduction ?</span> on the loudest parts. If you're seeing 6 dB+, you're overcompressing and will kill the life of the mix.</p></div>
         <div class="knob-item"><p class="knob-name">Attack</p><p class="knob-val">30–100 ms (slow)</p><p class="knob-desc">Slow attack preserves transients. You never want to kill the punch of a kick or snare in mastering. Very slow attack = transparent glue that doesn't touch the impact.</p></div>
         <div class="knob-item"><p class="knob-name">Release</p><p class="knob-val">Auto or 200–400 ms</p><p class="knob-desc">Slow release tracks the <span class="tt" data-tip="The overall energy level of a section of music, typically measured over 3–5 seconds. Mastering compressors with slow release react to the overall energy of the program rather than individual drum hits.">program dynamics ?</span>. Most mastering engineers use auto release. Listen for pumping on loud-to-quiet transitions.</p></div>
@@ -853,4 +853,4 @@ <h1 class="hero-title">Glossary</h1>
 <script type="module" src="src/js/main.js"></script>
 
 </body>
-</html>
+</html>

package.json

@@ -37,7 +37,10 @@
   "commitlint": {
     "extends": [
       "@commitlint/config-conventional"
-    ]
+    ],
+    "rules": {
+      "body-max-line-length": [0]
+    }
   },
   "lint-staged": {
     "src/js/**/*.js": [